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Merge pull request #103 from FleetingWang/master

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去除多余的全角空格('　')，替换部分全角空格
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JG
2019-02-25 09:26:50 +08:00
committed by GitHub
parent f10e351d91 89b6a49e91
commit b08670bf84
10 changed files with 217 additions and 217 deletions
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4
ci/README.md
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372
ci/author.song.json
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4
ci/ci.song.19000.json
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@@ -1534,7 +1534,7 @@
"素艳自超群，似姑射容貌。",
"画堂开宴邀朋友，赏琼英，同欢笑。",
"陇头寄信丁宁，楼上新妆斗巧。",
"对景乘兴倾芳酒，　沈醉、玉山频倒。",
"对景乘兴倾芳酒，拚沈醉、玉山频倒。",
"结实用和羹，是真奇国宝。"
],
"rhythmic": "昼夜乐"
@@ -6466,7 +6466,7 @@
"paragraphs": [
"高文虎，称伶俐。",
"万苦千辛，作个放生亭记。",
"後头没一句说著朝廷，尽把师　归美。",
"後头没一句说著朝廷，尽把师𢍰归美。",
"这老子忒无廉耻。"
],
"rhythmic": "失调名"

6
json/authors.song.json
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4
json/poet.song.16000.json
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@@ -15656,7 +15656,7 @@
"仄仄平仄平仄仄，平平仄仄仄平平。",
"平平仄仄平平仄，平仄平平仄仄平。"
],
"title": "致政仲損工部哀詞　 其一"
"title": "致政仲損工部哀詞 其一"
},
{
"author": "文彥博",
@@ -15672,7 +15672,7 @@
"平平仄仄平平仄，平仄平平仄仄平。",
"仄仄仄平平仄仄，平平仄仄仄平平。"
],
"title": "致政仲損工部哀詞　 其二"
"title": "致政仲損工部哀詞 其二"
},
{
"author": "文彥博",

4
json/poet.song.3000.json
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@@ -8837,7 +8837,7 @@
"平平平仄仄平平，仄仄平平仄仄平。",
"仄仄仄平平仄仄，仄平平仄仄平平。"
],
"title": "后土廟瓊花詩　 其一"
"title": "后土廟瓊花詩 其一"
},
{
"author": "王禹偁",
@@ -8849,7 +8849,7 @@
"平平仄仄仄平平，仄仄平平仄仄平。",
"仄仄仄平平仄仄，仄平平仄仄平平。"
],
"title": "后土廟瓊花詩　 其二"
"title": "后土廟瓊花詩 其二"
},
{
"author": "王禹偁",

22
json/poet.song.59000.json
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@@ -6613,7 +6613,7 @@
"平平仄仄平平仄，仄仄平平仄仄平。",
"仄仄仄平平仄仄，仄平平仄仄平平。"
],
"title": "送廷允决曹解官舟行赴闕　 其一"
"title": "送廷允决曹解官舟行赴闕 其一"
},
{
"author": "劉弇",
@@ -6629,7 +6629,7 @@
"仄平平仄平平仄，仄仄平平仄仄平。",
"仄仄平平仄平仄，平平平仄仄平平。"
],
"title": "送廷允决曹解官舟行赴闕　 其二"
"title": "送廷允决曹解官舟行赴闕 其二"
},
{
"author": "劉弇",
@@ -13639,7 +13639,7 @@
"仄平仄仄平平仄，仄仄平平仄仄平。",
"仄仄仄平平仄仄，仄平平仄仄平平。"
],
"title": "次韵朱李二君見寄二首　 其一"
"title": "次韵朱李二君見寄二首 其一"
},
{
"author": "秦觀",
@@ -13655,7 +13655,7 @@
"平仄平平平仄仄，平平平仄仄平平。",
"仄平仄仄平平仄，仄仄平平平仄平。"
],
"title": "次韵朱李二君見寄二首　 其二"
"title": "次韵朱李二君見寄二首 其二"
},
{
"author": "秦觀",
@@ -13671,7 +13671,7 @@
"平平仄仄平平仄，仄仄平平仄仄平。",
"仄仄平平平仄仄，仄平平仄仄平平。"
],
"title": "睡足軒二首　 其一"
"title": "睡足軒二首 其一"
},
{
"author": "秦觀",
@@ -13687,7 +13687,7 @@
"平平仄仄平平仄，平仄平平仄仄平。",
"仄仄仄仄平仄仄，平平平仄仄平平。"
],
"title": "睡足軒二首　 其二"
"title": "睡足軒二首 其二"
},
{
"author": "秦觀",
@@ -17711,7 +17711,7 @@
"仄仄平平仄，平平仄仄平。",
"平平仄平平，平仄仄平平。"
],
"title": "悼王子開五首　 其一"
"title": "悼王子開五首 其一"
},
{
"author": "秦觀",
@@ -17727,7 +17727,7 @@
"？仄平平仄，平平仄仄平。",
"仄平平仄仄，○仄。"
],
"title": "悼王子開五首　 其二"
"title": "悼王子開五首 其二"
},
{
"author": "秦觀",
@@ -17743,7 +17743,7 @@
"平仄平平仄，平平平仄平。",
"仄平平仄仄，平仄仄平平。"
],
"title": "悼王子開五首　 其三"
"title": "悼王子開五首 其三"
},
{
"author": "秦觀",
@@ -17759,7 +17759,7 @@
"仄仄平平仄，平平仄仄平。",
"平平平仄仄，平仄仄平平。"
],
"title": "悼王子開五首　 其四"
"title": "悼王子開五首 其四"
},
{
"author": "秦觀",
@@ -17775,7 +17775,7 @@
"仄仄平平仄，平平仄仄平。",
"平平平仄仄，仄仄仄平平。"
],
"title": "悼王子開五首　 其五"
"title": "悼王子開五首 其五"
},
{
"author": "秦觀",

14
json/poet.tang.25000.json
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@@ -12316,7 +12316,7 @@
"平平仄仄仄，仄仄平平仄。",
"仄仄仄平平，平平○仄仄。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後"
},
{
"author": "李紳",
@@ -12352,7 +12352,7 @@
"平○平仄仄，仄仄○平仄。",
"仄仄仄平平，平平仄○仄。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後 憶東郭居"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後 憶東郭居"
},
{
"author": "李紳",
@@ -12368,7 +12368,7 @@
"仄平平仄平平仄，平仄平平仄仄平。",
"平仄仄平平仄仄，仄平平仄仄平平。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後 憶題惠山寺書堂"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後 憶題惠山寺書堂"
},
{
"author": "李紳",
@@ -12391,7 +12391,7 @@
"tags": [
"西湖"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後 憶西湖雙鸂鶒"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後 憶西湖雙鸂鶒"
},
{
"author": "李紳",
@@ -12409,7 +12409,7 @@
"平平仄仄平○仄，平仄○平仄平○。",
"仄仄平平仄平仄，平仄平平仄平仄。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後 早梅橋"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後 早梅橋"
},
{
"author": "李紳",
@@ -12427,7 +12427,7 @@
"仄仄平○仄仄平，平仄平○平仄仄。",
"○仄仄仄仄仄仄，仄仄平平○○仄。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後 翡翠塢"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後 翡翠塢"
},
{
"author": "李紳",
@@ -12443,7 +12443,7 @@
"仄平仄仄平平仄，仄仄平平仄仄平。",
"平仄仄平平仄仄，平平平仄仄平平。"
],
"title": "過梅里七首　家於無錫四十載今敝廬數堵猶存今列題於後"
"title": "過梅里七首 家於無錫四十載今敝廬數堵猶存今列題於後"
},
{
"author": "李紳",

2
wudai/南唐二主词/README.md
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@@ -66,7 +66,7 @@
"title": "南唐二主词",
"desc": [
"《南唐二主词》，系南唐中主李璟、后主李煜撰。约成书于南宋，后世续有辑补，又有后人编写了各种版本",
"南唐二主李璟　、李煜是中国词史上极少数受到社会各阶层民众普遍喜爱的词人。其词突破五代花间词堆金砌玉的壁垒，前者多用比兴，妙能沉郁，后者全用赋体，超放自然，丝毫没有情感的做作。尤其是李煜，后期遭遇亡国之痛，词作纯从血泪中迸出，绝少雕琢，有很高的审美价值。"
"南唐二主李璟、李煜是中国词史上极少数受到社会各阶层民众普遍喜爱的词人。其词突破五代花间词堆金砌玉的壁垒，前者多用比兴，妙能沉郁，后者全用赋体，超放自然，丝毫没有情感的做作。尤其是李煜，后期遭遇亡国之痛，词作纯从血泪中迸出，绝少雕琢，有很高的审美价值。"
]
}
```

2
wudai/南唐二主词/intro.json
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@@ -2,6 +2,6 @@
"title": "南唐二主词",
"desc": [
"《南唐二主词》，系南唐中主李璟、后主李煜撰。约成书于南宋，后世续有辑补，又有后人编写了各种版本",
"南唐二主李璟　、李煜是中国词史上极少数受到社会各阶层民众普遍喜爱的词人。其词突破五代花间词堆金砌玉的壁垒，前者多用比兴，妙能沉郁，后者全用赋体，超放自然，丝毫没有情感的做作。尤其是李煜，后期遭遇亡国之痛，词作纯从血泪中迸出，绝少雕琢，有很高的审美价值。"
"南唐二主李璟、李煜是中国词史上极少数受到社会各阶层民众普遍喜爱的词人。其词突破五代花间词堆金砌玉的壁垒，前者多用比兴，妙能沉郁，后者全用赋体，超放自然，丝毫没有情感的做作。尤其是李煜，后期遭遇亡国之痛，词作纯从血泪中迸出，绝少雕琢，有很高的审美价值。"
]
}